MIXING CONSOLES

AVID SC48

Get the amazing sound quality and rock-solid reliability of VENUE all in one compact console. VENUE SC48 is a fully integrated live sound system that combines all I/O, digital signal processing, and tactile control into a single console, making it the most affordable and portable VENUE system yet. The console not only features the celebrated characteristics of VENUE, including studio-quality plug-in support, seamless integration with Pro Tools systems, and complete show file portability, it offers several innovative new workflows that streamline the mixing process, allowing you to concentrate on mixing the show instead of operating the board.

PROFILE

VENUE Profile is a compact, space-conscious alternative to the flagship VENUE D-Show console. Like D-Show, it offers complete ease of set-up and use but in an extremely compact form factor, making it ideal for applications where space is at a premium, with little sacrifice to tactile control. Profile works in conjunction with VENUE software (the common software platform on all VENUE systems), offering a general purpose interface (GPI), which allows the console to interact with external equipment and commands, and is fully compatible with all VENUE I/O components

YAMAHA PM5D

Since it’s release in 2004 the PM5D has become a standard for digital live mixing, and the first choice of legions of discerning engineers and sound companies throughout the world. Why? Simply because it offers extraordinary sound and versatility in a relatively small, lightweight system that is intuitive to use and delivers unmatched sound, control, and reliably without the need for additional outboard processing gear. Of course programmability and recall capability are of monumental importance in today’s live sound scene as well.

YAMAHA M7CL (48)

The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the “Centralogic™” control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations.

YAMAHA LS9 (32)

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha’s digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there’s also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.

MACKIE 1402

Just slightly larger than our 1202-VLZ3, the Mackie 1402-VLZ3 offers everything its little brother has—plus two additional mic/line channels, faders instead of knobs, and a few extra Master Section features. Ideal for home and project studios, the 1402-VLZ3 is equally at home on the road, on the stage, or in the recording studio. With its new look, ergonomic carry handle, and upgraded electronics, the new 1402-VLZ3 just might redefine the term “perfection.”

MACKIE CFX12

High-headroom mic preamps with RF rejection

12 channels (8 mic/line mono, and 2 stereo line channels)

32-bit EMAC™ digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander

External and internal EFX sends

EFX to Monitor control

9-band stereo graphic equalizer

Inserts on all mic channels and main mix

True 4-bus design with direct sub outs and L/R assign

2 Pre/Post Aux sends and internal/external FX level sends on each channel

3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels

4-band EQ on stereo line channels

Pan, Mute, PFL solo on each channel

Inserts and 100Hz low-cut filters on all mic/line channels

Subwoofer output from built-in 18dB/oct. 75Hz crossover

Ingenious BREAK switch

Headphone output with level control

Tape/CD inputs with level control assignable to Main Mix via Break switch

Logarithmic taper 60mm faders

48V phantom power

12V BNC lamp jack

MACKIE 1608DL

The Mackie DL1608™ redefines live mixing by combining the proven power of a full-featured digital mixer with the unmatched ease and mobility of an iPad®. With 16 boutique-quality Onyx mic preamps and the performance of 24bit Cirrus Logic® AD/DA converters, you have unparalleled sound quality. Seamless wired to wireless iPad control means you can mix from anywhere in the venue. This gives you the mobile freedom to control not only the mix, but also powerful plug-ins like EQ, dynamics, effects and more. The sleek DL1608 even supports up to 10 iPad devices. Forget bulky consoles and racks of gear. The power is at your fingertips.

MIDAS PRO1

The PRO1 breaks new ground for MIDAS digital consoles, featuring an all-new, lightweight aluminium frame, PRO1 is the first stand-alone MIDAS digital console, and sets new standards of portability and performance for a “compact” digital console.

PRO1 is easy to configure and operate. Engineers who are new to MIDAS digital can relax, enjoy the PRO1’s sample-synchronous audio quality, and mix from well within their comfort zone.

MIDAS PRO2

Think of an audio mixing system which offers unprecedented levels of control integration in terms of speed and ease of workflow. Think of an audio mixing system which has the most intuitive, operator-driven user-interface yet imagined, yet costs no more than an ordinary console. Think of an audio mixing system which has all of this, and sounds like a MIDAS. Think of the MIDAS PRO2 – Radical thinking – It’s simple!

The MIDAS PRO2 and PRO2C may be the smallest and least expensive MIDAS digital consoles so far; however, they represent a quantum leap forward in both technology and in concept for the art of audio mixing.